Since winning NBC’s “The Sing-Off” in 2011, a capella quintet, Pentatonix, has been busy. Winning a Grammy, going on tour, posting viral YouTube videos, and having a best-selling album of 2014 – this a capella group has been working hard. With the release of their first album of original songs, Pentatonix has proven that not only can they sing, but they can write songs too.
This self-titled album features serious songs about love and relationships with tightly woven harmonies. “Water” and “Rose Gold” use vivid imagery to tell an artful story. The album also includes fun pop-like tunes with catchy hooks like “Sing” and “Cracked” that will make you want to dance and sing along.
The album displays the group’s vocal dexterity and ability to capture the elements of a great song. At times, you forget that this is an a capella group. In fact, the only instruments are the band members’ voices, snaps, and claps.
With samplings from various musical genres ranging from hip-hop to gospel to pop, “Pentatonix” makes all music lovers want to sing along. Many of the lyrics are deep and insightful, such as “If it’s true that legends never die/Me and you could stand the test of time” from “Rose Gold.”
Even if you don’t like a capella, this is an album to try. Pentatonix isn’t just reinventing music, they’re reinventing a capella music. And as the song “New Year’s Day” proudly proclaims, “We could be kings of the world/On top of the nation/It’s a celebration of the moments to come/The city’s on fire/We’re holding up lighters/Raising them higher and we’ve only begun.”
Light Me Up by The Pretty Reckless persuasive essay help: persuasive essay help
To most teenagers around the world, Taylor Momsen is still seen as the sweet and innocent girl from Gossip Girl. What most don’t know, is that she has a blossoming music career as well.
Lead singer of a band called The Pretty Reckless, Taylor’s debut album Light Me Up, is a far cry from her TV persona. From hit singles such as Make Me Wanna Die and Just Tonight, Taylor shows a new facet of her unique personality to the world. When I first heard that Taylor Momsen was going to be releasing a rock album, my initial thought was that she was another TV Star attempting to break into the music world in hopes of becoming a triple threat like Miley Cyrus or Hilary Duff. I was pleasantly surprised by her music because not only is it edgy, it’s very honest. She doesn’t sing the manufactured pop that the world is dominated by today, but emotional and powerful songs about much of what teenagers go through in their journey to adulthood. Not only does Taylor show her rock n’ roll side in the album, she shows her feminine side as well, especially with the song You.
Whatever her occupation may be, Taylor Momsen has a bright future ahead of her. Blessed with a beautiful voice and a headstrong perspective, her new album Light Me Up is just the beginning for many more great albums to come.
What a Wonderful World by Louis Armstrong instant essay help: instant essay help
Songs that have impacted society – What a Wonderful World by Louis Armstrong
Many methods are used to help a song stand the test of time. If the title is repeated throughout the song, people remember it a lot easier. Having deep, touching, yet understandable meaning and an accompanying video clip that is memorable contribute to helping a song stand the test of time also. In this essay, I will be analyzing the song “What a Wonderful World” by Louis Armstrong. It was written in 1968 during the time of the Vietnam War. Performed in the genre of jazz, it was writing and composed to try and bring hope to the millions of victims suffering the effects of the war like the loss of the many loved fathers, sons and husbands and the “half cast” children who were sent away from their mothers to a foreign land with foreign people.
“What a Wonderful World” is not only the song title but the chorus too. This line is repeated four times throughout the song to emphasize the fact that even though there is much hatred and violence within the world, it is still beautiful and there is always the chance for us to stop the pain and make life peaceful again. It’s telling us to always hope for the best because it’s not an impossible dream. “I See Trees of Green, Red Roses too” is the first line of the song, telling us straight away that there is always a chance for improvement and a chance to grow. I believe that this is the opening line because it immediately shows us that the song will be focusing on the happier side of life instead of the turmoil and that it’s better to be positive rather than negative. The line “The Bright Blessed Day, the Dark Sacred Night” was carefully worded. With use of specific words like blessed and sacred, it is presented that it’s quite a safe surrounding and that we’re being looked after. Using these words instead of more negative words like black gives the song a more soothing feel to it and relaxes people who listen.
“The Colours of the Rainbow, so Pretty in the Sky” can be taken in many different meanings. The most recognised and shared view would be that the rainbow is the show that the storm is over and clearer, easier times are ahead. In religious views, the rainbow is the promise from God to his people that he will never drown them all again, being a sign of hope to all. The reason I believe that the line “They’re really saying I Love You” was written into the song is because people meet and greet each other with happy hearts every day, and though they don’t always say it, they express that they love each other in many ways. “They’ll learn much more than I’ll ever know” is expressing that overtime, more and more knowledge is acquired when a new person is put in charge and the more knowledge gained on higher up levels, the more knowledge is passed down to younger people and though Louis Armstrong is older than children, by the time they are his age, they will have had the opportunity to learn more than he has.
“What a Wonderful World” is a song containing six instruments: the violin, the drum, the flute, the double bass, the trumpet, and the harpsi chord. All of these except the flute are played throughout the song. The flute is played at a specific time though. During the third verse of the song the flute is introduced. It is played parallel to “The colours of the rainbow so pretty in the sky” to enliven the line and is then played through the rest of the verse to put it on a happier note than the rest of the song. Alongside “And I think to myself what a wonderful world” the music goes noticeably higher. The reason is to show that the world really is a wonderful, happy place despite the disaster. The line “I see friends shaking hands saying how do you do” is accompanied by ooh ahh’s to emphasize the happy, hopeful feeling that the song as a whole is trying to tell. At the time of the original producing of the song the Vietnam War was happening, hence the inspiration for the song. The Vietnam War was a very eventful time in history, causing many deaths of not only soldiers but many innocents too. Many husbands, fathers and sons didn’t return from the war but many families and homes were completely destroyed. Many Vietnamese women also gave birth to children fathered by the soldiers. These children were considered half-casts and sent away to places like America because they were not welcomed by Vietnamese society. Some of the mothers of these children became very depressed and some went so far as to commit suicide. The effects of the war are still around today, just not on as such a major scale but the victims of the war will never forget those lost.
“What a Wonderful World” is one of the many songs that have stood the test of time. Through its music and lyrics it tells us that when it seems all is lost and that despair is in our hearts, there is always a hope for the future. Though it was written during a time of terrible turmoil, it promised us a hope for a better future and showed us that we can always come out on top. Louis Armstrong was a black American who faced prejudice and bitterness towards him and yet still felt enough joy and hope within himself to produce such a loving, touching song. The song spoke to many people of different races and religions. It told us that no matter what you look like or who you are, things can always get better no matter how bad they seem.
Michael Franti & Spearhead: The Sound of Sunshine custom essay help: custom essay help
Though he may not be the most popular musician on the billboards, Michael Franti certainly knows how to make a good groove and catch your ear with his witty yet moving lyrics. Franti and his band, Spearhead, create a combination of a rock and hip-hop that is far from a cliche.
They started producing albums and popular singles in 1994, and since then have gained worldwide fame. Just recently they were nominated for the NAACP Image Award for the Best World Music Album. Their newest release, “The Sound of Sunshine,” really hit the spot for me, and I must not be the only one because the album was listed on the Top 200 Billboard Chart since its debut.
Michael Franti started recording the album in Jamaica, then continued to mix tracks and record in Bali before choosing to bring a portable studio on the road. While traveling, he tested his ideas and new collaborations in front of audiences, changing songs if necessary. That process is probably one of the main reasons the album is so popular; it’s what fans wanted to hear.
In Michael Franti & Spearhead’s past albums, many songs were political, speaking of war and peace and how the world needs a positive change. This album has some of that, but there are more lyrics about love, passion, and good times, and not as much anger and frustration. That change makes the music more enjoyable for me, because I can sing along and relate to the lyrics.
One of my favorite tracks is “Headphones,” where Franti asks the one he loves to metaphorically plug her headphones into his heart so she can know exactly how he feels about her. I found the lyrics charming, clever, and original. The song consists of acoustic guitar with a simple back beat, which eventually crescendos into a rock ballad feel.
“Hey Hey Hey” is one song in which Franti expresses more of a political vibe but lets his listeners know that everything will be okay. In the verses he ponders how the world came to be the way it is and how he finds hope (“From the Wall Street banks to the empty homes, between the lines of the people standing all in a row, there’s a crack in the gutter where a flower grows, reminding me that everything is possible.”) This song sends a hopeful message that no matter how bad times are, everything will work out and someone will always be there for you.
I got hooked on Michael Franti & Spearhead’s music a few years ago and have been a huge fan ever since. Most of their songs are family-friendly, which is hard to find these days, especially in a hip-hop mixed genre. I have never gotten a repetitive feel from any of the albums; the beats are funky, the lyrics are original, and Franti’s soulful voice fills all the empty space in the speakers.
If you haven’t heard of Michael Franti & Spearhead, look them up. You will not be let down.
Hospice by The Antlers free essay help: free essay help
It’s easy enough to guess the theme of The Antlers’ full length debut from its title. The word “hospice” fits the album’s mood and concept so well, in fact, that it would be a difficult task to come up with any other title. The album is loosely based on a man who falls in love with a dying cancer patient, but the subject matter of the album touches on other topics as well (abortion, mental illness, death). To say the album is dark would be an understatement; to say it is emotional wouldn’t even begin to describe it. The Antlers is basically Peter Silberman, and two other musicians (Michael Lerner and Darby Cicci) who play the instruments that he does not. In addition to already having a notoriously passionate live performance, the band now has one of the most emotionally exhausting and beautifully written albums released in the past few years. Of course this is all opinion, but I find it hard to believe that anyone who listens to Hospice while reading the lyrics (and truly paying attention to the details of the music) can be anything but thoroughly moved.
“Prologue”, a sparse instrumental introduction, starts the record off. The track does an excellent job of setting a mood for the next track, “Kettering”, to elaborate on. I won’t bore you by explaining how I think the songs relate to the story/concept (I’ll leave that up to my fellow listeners). “Kettering” uses a melody so beautiful and original that, the first time I heard it, I had to listen several more times before moving on to the next track. Songs like “Bear” (which uses a deceivingly uplifting melody to disguise a ferociously depressing subject) or “Two” are instantly impressive, but most of the album takes a few run-throughs to really appreciate. The penultimate track, entitled “Wake”, is a nine-minute behemoth that serves as a climax for both the musical and lyrical aspects of the album. Hospice seems to have this attractive quality about it: once you are hooked, you won’t have the ability to stop listening. Sure, every time the final chorus in closing track “Epilogue” comes around, and the album ends, you’ll feel as though you’ve just completed the most disturbingly sad novel you’ve ever read, but you’ll also feel satisfied. Hospice is truly a gem of an album. I’ve never heard another one like it, and I am doubtful I ever will, even from the same band. The Antlers have created a masterpiece, and it is something to be cherished, even if it does make your life just a little bit less bright.
Rachmaninov: Symphonic Dances and Stravinsky: Symphony in Three Movements by Valery Gergiev and the descriptive essay help: descriptive essay help
If it’s not a consensus that Valery Gergiev has brought new life to the British musical scene that hasn’t been seen in decades, it should be. The LSO is attaining new heights, playing on a super-virtuoso level that isn’t very far from their European rivals. Both Rachmaninov and Stravinsky are composers that seem well suited to Gergiev’s temperament. Since Gergiev’s Rachmaninov 2nd with the LSO was beyond compare, a new Rachmaninov release was cause for great anticipation from this listener.
Gergiev is often accused of being rushed and mechanical. These criticisms aren’t entirely unwarranted, but comparing his timing in the Symphonic Dances to fellow-Russian Ashkenazy’s, Gergiev is slower in every movement. Ashkenazy’s classic account is light in tone and spirit with the playing of the Concertgebouw to dazzle the listener. Gergiev takes a more deliberate approach. The crashing chords at the opening of the first movement aren’t just powerful, they’re hammer blows. But that’s not to say that his approach is a heavy-handed one. The thing that struck me that most was his ability to make the music sound fresh and effortless. These are dances and while Gergiev isn’t balletic, he finds a way to give the music a spontaneity that is apt for dance music. Ashkenazy is perhaps more danceable than Gergiev, but the latter is more dark and Russian in texture. I sense direction, a feel for the overall flow of the work. Gergiev had few peers when he took over the LSO, but he’s maturing. That is evidenced by the way he builds tension without letting go to soon, something particularly apparent at the closing of the final movement. For some, Ashkenazy’s lightness will be preferred above Gergiev’s brooding inspiration, but I think this recording is on a higher plane.
We enter a different world when we cross over into the Stravinsky. The product of a composer trying to convince the world with his newfound polytonalities, the symphony is full of jagged edges. My Rattle account with the Berlin Philharmonic was full of unrivaled playing, but Rattle tried to smooth out the work’s aggression and seemed to dawdle over every note and phrase, ultimately sounding mannered. Gergiev doesn’t match Rattle’s voicing abilities, but the absence of fussiness isn’t missed. I don’t sense that the work is being tamed; the LSO delivers even more bite than the Berliners. But Gergiev isn’t out to be menacing either. He doesn’t keep the music from sounding sarcastic and angry although I sense he’s trying to show us Stravinsky’s classicism. Some will be disappointed that Gergiev didn’t let hell break loose but he’s deeply committed. In fact, I’m not sure that jarring sounds are the main point of the symphony. Gergiev finds meaning in almost every bar, building momentum without losing the beauty of the individual moment. Ultimately this is a much more inspired reading than Rattle’s, but I wouldn’t have minded more aggressiveness.
It’s incredible to witness sensational musicians at the height of their powers. Gergiev is continuing to establish his reputation as one of the most exciting conductors alive and this disc catches him in great spirits.
Brave This Storm by Trivium english essay help: english essay help
As soon as I heard that David Draiman, the legendary ex-vocalist for Disturbed and the current front man for Device, was going to produce Trivium’s next album Vengeance Falls I did not hesitate to give it a listen. David Draiman has been singing since 1996 and has left his mark on over eight albums within that time; he has countless songs all written with immeasurable talent. With Draiman’s experience and expertise, Trivium should have the resource that they need to produce an amazing album. This was my notion when I began to search for the album. Since the CD has not yet been released, I was only able to find select songs on their YouTube channel. Their first single Brave This Storm immediately caught my attention. Not only was the name of the song enticing, but the song itself was catchy as well.
The first riff of the song is an all out adrenaline rush of thrash at neck breaking speeds. It screams “Trivium” through the heavy, but melodic spinning C# tuning of the instruments. This, thrown together with the speed at which the song is played, creates a sense of perfection. The first few seconds of the introduction are so fast that the audience almost struggles to keep up with the pace. Then the instruments slow into a more melodious symphony. Each note that is played brings along an air of richness along with a perfect blend of high and low notes. By this point, the listener is subconsciously bobbing their head to the song, enjoying the heavy, yet articulate introduction that Trivium brings to the table.
Less than a minute into the introduction, the singing begins. Instead of hearing the singing style of Matt Heafy, there is a hint of David Draiman’s vocal style. Unlike the majority of Trivium’s songs, there is a lot more singing in this piece instead of their trademark guttural screaming. The most frustrating part for the listeners is that Heafy has adopted a new way of singing from Draiman. Change is good of course, but the change that Trivium has in this song is not. It is as though Draiman has taken his unique singing styles and imposed them too heavily on the musical approach of Mathew Heafy. The band has produced five studio albums up to this point ( not counting the pendent release of Vengeance Falls) and, in many ways, they are still babies in the world of rock because they are continually changing and growing their musical styles. With Draiman’s enforcement on their latest album, the band is not able to show the full potential of what Trivium can do.
There is only one part throughout the entire song that vocally sounds like Trivium. There is a ten second line towards the end of the song that actually has the screaming that Trivium is known for. Their creativity in this song is literally compressed into a ten second interval. How is a band supposed to grow when they are limited to such an extent? It feels as though Draiman is suffocating the band by producing this album. He has traded their unique abilities for a mock version of himself. This song is not a true Trivium song, it is a David Draiman song disguised by the voice of Matt Heafy.
John Mayer essay help site:edu: essay help site:edu
Evenas we rushed to the Oakdale Theatre, knowing that we still had to find the girlwho’d sold us our tickets on eBay, we were thrilled to be on our way to thesold-out John Mayer concert.
We arrived, and though everything worked out,let me suggest that if you don’t have to resort to getting tickets on eBay,don’t. The whole process was way too stressful!
No one on the East Coasthad really heard of the opening band, Maroon 5, although they are a big hit inCalifornia. After watching them, I think their popularity here willgrow.
Mayer unexpectedly came out during one of the opening act’s songsand played with them, which was a pleasant surprise for all.
Then thelights went down except for a spotlight on a chair and microphone in the middleof the stage. Then he walked out – the 6′ 4″ Connecticut native was ready toperform for his home state.
The screams were loud as Mayer opened with”Love Soon,” followed by “No Such Thing.” The crowd went wildfor every song. At times he went off into wonderful jams that mesmerized thecrowd. He made each song special in a different way; in “Your Body is aWonderland,” he had the crowd sing along.
He also played with thelyrics; in one song he included his hometown, and dedicated a song to all hisfriends in the audience. This made the concert very special to the Connecticutcrowd.
After an hour and a half of performing, and switching guitars witheach song, Mayer began to wrap up. I knew he couldn’t leave without an encore,and he returned for four more songs before the show came to an end with “St.Patrick’s Day.”
We left in awe. From his voice to his ability to playthe guitar to his crazy facial expressions, John Mayer was the topic of ourconversation all night.
The Cranberries common app essay help: common app essay help
Like most beach-going, summer infatuated teenagers, I was not looking forward to the end of my warm-weather bliss. Nor was I ecstatic over the beginning of classes. Yet consistently through the summer I waited impatiently for September to begin. September 2, 1996 “The Cranberries” world tour finally reached Great Woods in Mansfield, Massachusetts. No other night or concert of summer ’96 could compare to that unbelievable entertainment experience. Cracker kicked off the evening in the right direction with some excellent music. The crowd immediately responded to the band’s enthusiasm and powerfully energetic tunes with its own vitality. The Cranberries opened up their night at Great Woods with “Forever Yellow Skies” off their most recent album, “To the Faithful Departed.” The night was loaded with all of the best songs this group has produced. Not one of their three albums was neglected. They covered everything possible in the given time. Dolores O’Riordan captivated the audience’s attention with her uniquely exquisite, beautiful voice. In addition to being a talented singer, guitar player, and pianist, she has some genuinely original, funky dance moves that she was not afraid to share with the world. Despite a knee brace from a recent injury, she kept the crowd on its feet and actively involved in the night’s festivities. She spread her energy and vibrancy to the crowd. The band did a wonderful job of keeping the entertainment level at its highest all evening. Like all other good things that eventually come to an end, this night did also. The band left the stage for awhile and left the crowd curious and anxious for more. After a short wait they returned for their encore performance. Great Woods in its entirety rocked to the sweet sounds of “Dreams,” one of the best songs ever written. It was the perfect ending to a perfect evening. The night that I had wished away my summer for remains the best I’ve ever had. As I sit in school these days, I remain in suspense awaiting next year’s visit from one of the best bands around. Their concerts are unlike any I have been to (and I have seen quite a few). They form a relaxed setting that allows people to be themselves. If you ever go to a Cranberries concert, you should expect to be surrounded by an extensive variety of people who share one common purpose … to jam
Vacation – Seaway english essay help online: english essay help online
Pop-punk is my favorite style of music. The power chords, the melodies, and the guitar riffs can feel fun or melancholic, depending on how the artist utilizes them. Pop-punk had its heyday in the early to mid-2000’s, with bands like Blink-182, Bowling for Soup, and Green Day, and classic songs like “All The Small Things,” “Stacy’s Mom,” and “The Middle.” Recently though, pop-punk has begun to have something of a resurgence. Bands like Neck Deep, State Champs, and The Wonder Years, may not be very well known in the mainstream, they maintain a solid, dedicated fanbase and consistently put out great pop-punk music year after year. The latest release from one of these bands, Seaway, is titled Vacation and is one of the best pop-punk albums that I have ever had the pleasure of listening to.
From the album opener, titled “Apartment,” Seaway is showing off their musical talent. The guitar riff by lead guitarist Patrick Eichinger fits the song expertly and is uniquely memorable. The standout aspect of the album and Seaway in general, for me, is lead vocalist Ryan Locke’s unique, gravelly tone of voice. It gives the songs a certain angst and ups the energy tenfold.
Another standout song is the third track, “London.” Something about the song just captivates me and gets stuck in my head. It may be the punchy chorus or the story it tells. Whatever the reason, every time that I listen to the song, I want to start it over and listen to it all over again.
One of the last songs on the record, “40 Over,” shows Seaway using a slower tempo and more emotional lyrics. This juxtaposition offers a nice reprieve from the high energy found in most of the other songs. The passion in the voices of both lead singers, Ryan Locke and Patrick Carleton, is very clear and moving. The haunting yet beautiful guitar riff that opens the track is a perfect indication of what is to come.
Vacation is a glorious 38 minutes from start to finish. Whether it be the exuberant chorus of “Car Seat Magazine,” or the summertime vibes of “Lula on the Beach,” each song on the record is sure to delight.Seaway’s instrumentation and powerful vocals are shown off in full force in one of the best pop-punk albums of all time. Vacation is a must listen for pop-punk fanatics and newcomers alike.
Jenni Rivera: La Gran Senora write essay help: write essay help
Jenni Rivera “La Misma Gran Senora” came out during 2012. for example “Ahora Resulta” “que ahora que no valgo nada para ti”she says “im nothing to you now”“Basta Ya” “ ya no tenga remedio, mi camino sera un cementerio a” “Acambio De Que”“De contrabando ” “lo que sea de vez vez en cuando pero ama me” “ of contraband, once in awhile, but love me”
“Como Tu Mujer” “ pues mira tu, la esperanza mi igual vas a ser como tu mujer” its says ”you look your self, the hope is the same for me, i am your women”the many songs that there is in the worldlike “Love Again” she goes “there is no one in this world that ever gave me such a feeling of love and affection” a song can change you mood or someone going through the same .
I love hispanic music Jenni Rivera sings force of harmony there is a lot of feeling or when someone is going through something hard they need a little lifting, it talked about how in her life she struggled being a single mom raising her kids, she was also married before and some of the songs talk about her experience in the relationships and the good and bad times she always manages to stand up. in December 9,2012 her and part of the crew members that were on the plane some how disappeared and the people were trying to find out where the plane went and it turns out that her plane crashed and there was no sight of Jenni only the remains ofclothing, and her dresses and a crushed identification card.
The Wall by Pink Floyd college essay help online: college essay help online
The man must be a genius. Roger Waters- the bass player, composer, and creative guru behind one of the most celebrated bands in history- spawned a grand idea in his introspective head which needed to be ousted for the whole world to see. Obviously the exemplary insight into the stresses and pressures of the music business, The Wall came from an idea spawned from an incident during a live show. This is where some precursor- historical context is useful. Ahem; Roger and his fellow band mates, compromising Pink Floyd (Perhaps you’ve heard of them, yes?) were touring to promote their 1977 album, Animals. A stadium of adorning fans, perhaps excessively so, were oogling over the band as they played their songs, tired and worn from the demands of a World tour. Packed to the brim, these sold out shows were testament to the popularity of the band’s work. Previous hits like The Dark Side of the Moon and Wish you were Here, both stellar albums, would earn them an A-list label. A fan in the front row of a July 6, 1977 show was so rowdy and compulsive in Roger’s presence though, that Roger was provoked to spitting on him and cursing like a pirate.
And so, Roger Waters pondered just what he was feeling which prompted him to detest playing shows. This annoyance, this utter frustration and alienation he felt towards his devoted fans was so persistent that he mused about building a wall between him and his fans to isolate himself from their antics. BUILDING A WALL. ISOLATION. This was the initial concept behind what would become Pink Floyd’s next concept album (The band is famous for their albums which explore one or many similar themes- a ‘concept album’, which are rare among popular artists today). Wow! What great potential this ‘wall’ concept had. What’s more great is the music created and live performances of the album which would ensue after the creative inception.
The Wall caresses every span of your emotional spectrum thoughtfully, with catchy rock riffs, dark atmosphere, memorable lyrics and a story to do so. Yes, a story is to be had in this fantastic album! Although initially just about Roger’s disdain towards his audience, the project soon came to incorporate other traumas- metaphorical ‘bricks’ in his wall. Now, not just the wall has purpose, but even the separate bricks which comprise the goal of its construction are meaningful. Such traumas include the loss of a father figure, an over-protective mother, abusive school teachers, failed marriages, marred perceptions of love, and others.
Although the album follows a fictional character by the name of Pink, you’d find that Pink’s circumstances are very resembling to those of Roger. -The Wall had become autobiographical! Remorseful cries to a father figure who left for the war early in Roger’s life, “Daddy, what’d you leave behind for me?!” are immediately followed by Roger’s past tense reflection of these long-lasting scars, “All in all it was just a brick in the wall”. For lyrics saturated with pathos that will touch you, what’s awesome is the dark melodies that the band’s instrumentation supplies for Waters’ tragic appeals. The guitar that David Gilmour brings to the album is top notch; with the echoes on his guitar mimicking a lonely voice in an empty world, and the now legendary solos on songs like ‘Comfortably Numb’ and ‘Another Brick in the Wall, pt. 2’. Percussion and drums are also consistently tight, with a notably superb moment at the end of the song ‘The Happiest Days of our Lives’, before it segues into ‘Another Brick in the Wall, pt. 2’. Richard Wright’s keyboard work is the foundation of songs like ‘Nobody Home’, and provides a Hammond-organ style wail in the album’s first track, ‘In the Flesh?’
With a band whose history was in concept albums, they truly made the mother of all concept albums during their work on The Wall. Disturbing, thought provoking and scary, the album is sprinkled with sound effects and uncredited voices- much like Pink Floyd’s other seminal masterwork ‘The Dark Side of the Moon’. These propel the narrative of Pink’s (Roger’s) life forward until the epic climax of the album, where the wall that Pink builds crumbles to the ground amidst the roars of his peers, “Tear down the Wall! Tear down the Wall!” It’s stirring. It’s got a very well thought out premise. And It’s a classic rock gem you are missing out on if you haven’t already heard it. Go and listen to ‘The Wall’, by Pink Floyd, today. You will find something great to appreciate in it, as I do.
Dolly Parton Rosemont, Illinois Concert Review college essay help free: college essay help free
The iconic country music singer came to Illinois Thursday for her Better Day World Tour. The tour is to promote her new album that is also titled “Better Day”. All of the songs of the album are of a positive, uplifting nature and the concert had the same feel to it.
Dolly arrived on stage right on time in a tight sequined turquoise dress singing a medley of “Light of a Clear Blue Morning”/”Walking on Sunshine” with parts of her new song “Shine Like the Sun” mixed with it. The crowd clearly adored Parton and was instantly on their feet the minute she arrived on stage. Next came “Jolene” complete with Parton on the acoustic guitar. Parton joked that she was glad we remembered her because she had been trying to forget her for years. “Better Get to Livin” was next from Parton’s last album “Backwoods Barbie”. Then Parton switched over to a bluegrass segment and had her stage crew bring out her banjo and an old time microphone. She and her band played a stellar rendition of “Dueling Banjos”. I was amazed and fascinated that Parton could play the banjo with those very long fingernails but she proved to be very adept at it. Next, Parton broke into a series of bluegrass songs that she has sung over the years including “Rocky Top”, “Help!”, “Shine”, “Mule Skinner Blues”, complete with her famous yodeling, and a very moving rendition of “Stairway to Heaven”. She told the audience that it was her husband’s favorite song but when he heard her version he thought it was sacrilege and should now be called “Stairway to Hell”. Parton then took the audience back to the hills of her Smokey Mountain home with songs like “Precious Memories”, “My Tennessee Mountain Home”, “Smokey Mountain Memories” and her signature song “Coat of Many Colors”. Throughout all these songs Parton played the autoharp, and dulcimer. Next on the list came Parton’s version of Dusty Springfield’s “Son of a Preacher Man” complete with a saxophone solo by Parton. Dolly then moved on to songs from her new album. She sang “Together You and I”, “Better Day”, complete with Parton on a gold rhinestone piano, and the duet “Holding Everything “with her producer Kent Wells. Dolly then talked about her new movie that she is staring in with Queen Latifa. Apparently Queen’s rap skills have rubbed off onto to Dolly because she broke out into a free verse rap that really wasn’t half bad. After the rap Dolly sang a few gospel numbers from the movie. Dolly’s voice was made for these types of songs and she sounded stellar on them. She even danced a little and joked that the film crew tried to teach her to dance but ended up pretty much just having to drag her around. Dolly then took a 15 minute intermission.
Right on the dot after her 15 minute break was up Parton bounded back onto the stage this time in a sparkly red sequined pantsuit. She started the second half of the show with her hit song “White Limousine” complete with Parton on the electric guitar. She then asked if there were any kids in the audience and when several yelled out she broke into the Hannah Montana theme song called “The Best of Both Worlds”. Miley Cyrus the star of Hannah Montana is Dolly’s goddaughter and Parton was on the show several times as Aunt Dolly. Dolly then went back to singing some new songs. These included “The Sacrifice” and “In the Meantime “complete with Parton doing two harmonica solos. The former was about the sacrifices Parton has had to make over the years to advance her career and the latter is about people needing to live in the here and now and to not worry too much about the future. Parton next did an a capella version of her song “Little Sparrow”. This was one of the most amazing moments of the whole show. Parton’s powerful voice resounded through the whole theatre and the audience remained so quiet that you could have heard a pin drop. Next, came Parton’s rendition of River Deep- Mountain High. She even completed the song with her own version of Tina Turner’s leg dance that wasn’t half bad and made the whole audience laugh in delight. After this Parton did a few of her most well known songs, including “Islands in the Stream”, “Here You Come Again”, and “9 to 5”, which got the whole audience on their feet clapping and dancing. For the encore came “I Will Always Love You” and “Light of a Clear Blue Morning”.
Over all the concert was spectacular. Parton’s voice has remained crystal clear, vibrant, and young sounding after all these years. Her voice never seems to change and is still powerful. Her voice is expressive at even the quietest whisper. She played a multitude of instruments and gave each and every song her all. She tells stories throughout the show and even a few jokes. She makes you feel like you’re her family and are sitting at her feet at a family gathering instead of at a concert. She still looks incredibly beautiful. You would never guess that she is 65; she looks no older than 45 or 50 and has the energy and tenacity of a 20 year old. Going to her concert was one of the greatest moments of my life and I will forever cherish the experience. If you get the chance to see Dolly live, I would truly recommend doing so. She is a true performer who knows how to work an audience and is truly a living legend or maybe even an angel among us.
Essay Writing at Profs Only
Review This Service